Tour This Serene 18th-Century Colonial Farmhouse


On a shiny morning in upstate New York, an attractive toddler named Mary Augustine Cruise is making eggs—over simple. Mid-flip, the frying pan clatters to the ground, although fortunately the yolks in query are of the wood selection, as is the miniature stovetop. Her mom, painter Mary Nelson Sinclair, has in the meantime simply pulled scones out of the life-size La Cornue oven, plating them on classic faience dishes earlier than hand-whipping cream to accompany them. Beside the farm desk, Pippa, the household’s Yorkshire terrier, perches on a camelback loveseat, ready patiently for any crumbs to fall.

Sinclair and Cruise with daughter Mary Augustine at their dwelling in upstate New York; the home is painted in Benjamin Moore’s White Dove.

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It was the kitchen that underwent essentially the most dramatic transformation just a few years again, when Sinclair and her husband, sculptor Matty Cruise, set about renovating their 18th-century Colonial farmhouse in a quiet hamlet of Columbia County. The structure was rearranged, accommodating a brand new scullery, a laundry space, and finally a full-time household of three. In what would show to be a prescient pre-pandemic transfer, the couple absolutely relocated upstate in December 2019 after splitting their time in Brooklyn.

Cruise’s workspace serves as dwelling base for his line of oxidized furnishings, Corbin Cruise (

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The couple’s bed room options an eclectic array of textiles.

Gieves Anderson

The husband-and-wife artists each have backgrounds in design—Cruise having reduce his tooth underneath AD100 expertise Billy Cotton earlier than branching out into metalwork on his personal, Sinclair having labored on the studio of illustrator Glad Menocal. The couple referred to as upon their former employers turned pals when renovating their home. Over the course of weekend visits, Menocal painted a visitor room’s partitions with blooming tendrils, whereas Cotton supplied recommendation on the advantages of matching the white fridge to the English Nation–type cabinetry. Sinclair’s mom, Mary Louise, herself a decorator, acted as design czar for the undertaking, overseeing the restoration, sourcing key items just like the eating room’s Nineteenth-century Swedish kakelugn, and even personally upholstering the mattress for an ironwork marketing campaign daybed in a floral Décors Barbares material.

A mural by Glad Menocal enlivens a visitor room; slipper chairs in Le Manach material.

Gieves Anderson

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